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  <id>https://science-artistry.com/journal/</id>
  <title>Underpainting — Science Artistry</title>
  <subtitle>The layer beneath the lessons — longer looks at the science Ayesa is exploring.</subtitle>
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  <updated>2026-09-24T00:00:00.000Z</updated>
  <author><name>Dr. Ayesa Kaur</name></author>
  <entry>
    <id>https://science-artistry.com/journal/the-painting-under-the-painting/</id>
    <title>The painting under the painting</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/the-painting-under-the-painting/"/>
    <updated>2026-09-24T00:00:00.000Z</updated>
    <published>2026-09-24T00:00:00.000Z</published>
    <summary>Before the Getty hung Joshua Reynolds&apos;s Portrait of Mai this month, its conservators scanned the canvas and found the places where he changed his mind. One of the two instruments that caught him never looks at color. It reads atoms, by the same rule that decides why an aurora glows green.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/why-the-far-mountain-is-blue/</id>
    <title>Why the far mountain is blue</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/why-the-far-mountain-is-blue/"/>
    <updated>2026-09-15T00:00:00.000Z</updated>
    <published>2026-09-15T00:00:00.000Z</published>
    <summary>Around 1500 Leonardo da Vinci told painters to make a far building bluer than a near one, and five times bluer if it stands five times as far away. He was right about the blue and could not have known why. The reason arrived in 1871, from a physicist thinking about the sky, and it is the same reason a rising Moon comes up orange.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/the-road-is-in-the-numbers/</id>
    <title>The road is in the numbers</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/the-road-is-in-the-numbers/"/>
    <updated>2026-09-05T00:00:00.000Z</updated>
    <published>2026-09-05T00:00:00.000Z</published>
    <summary>Count to ten in Romani, the language of Europe&apos;s Roma, and the first six numbers are the numbers of Punjab. Seven, eight and nine are Greek. A language keeps a diary of everywhere its speakers have lived, and this one records a walk of several thousand miles, and the crafts that made the walk survivable.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/the-light-is-behind-the-paint/</id>
    <title>The light is behind the paint</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/the-light-is-behind-the-paint/"/>
    <updated>2026-09-04T00:00:00.000Z</updated>
    <published>2026-09-04T00:00:00.000Z</published>
    <summary>Jennifer Barnes sent a photograph of a wall of pigment jars and a question with it — why do some colors look lit from the inside? Every jar in that picture is duller than it is about to be, and the reason is the same reason a stone from the beach looks better in the water than it does in your pocket.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/nobody-is-right-brained/</id>
    <title>Nobody is right-brained</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/nobody-is-right-brained/"/>
    <updated>2026-08-10T00:00:00.000Z</updated>
    <published>2026-08-10T00:00:00.000Z</published>
    <summary>You have probably been told you are a right-brained creative or a left-brained analyst. In 2013 a team scanned 1,011 brains looking for those two types and found neither. What they did find is a cable of about 200 million fibers running between the halves — and a much better reason to draw the thing you are trying to learn.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/the-seaweed-printed-itself/</id>
    <title>The seaweed printed itself</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/the-seaweed-printed-itself/"/>
    <updated>2026-08-08T00:00:00.000Z</updated>
    <published>2026-08-08T00:00:00.000Z</published>
    <summary>In 1843 a botanist named Anna Atkins had a problem — nobody could draw seaweed accurately enough. So she stopped drawing it, laid it on chemistry-soaked paper, and let the sun do the work. The result was the first book of photographs ever made.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/the-buddha-is-120-fingers-tall/</id>
    <title>The Buddha is 120 fingers tall</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/the-buddha-is-120-fingers-tall/"/>
    <updated>2026-08-07T00:00:00.000Z</updated>
    <published>2026-08-07T00:00:00.000Z</published>
    <summary>Before a Tibetan thangka painter opens a single pot of color, they snap a grid of chalk lines across the cloth. Inside that grid is a measuring system almost a thousand years old — and some real mathematics.</summary>
  </entry>
  <entry>
    <id>https://science-artistry.com/journal/a-new-home-for-science-artistry/</id>
    <title>A new home for Science Artistry</title>
    <link rel="alternate" type="text/html" href="https://science-artistry.com/journal/a-new-home-for-science-artistry/"/>
    <updated>2026-07-29T00:00:00.000Z</updated>
    <published>2026-07-29T00:00:00.000Z</published>
    <summary>The website has grown — a lesson library you can explore, open previews of every lesson, and a look at what&apos;s coming next.</summary>
  </entry>
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